— unpredictable thoughts

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May, 2006 Monthly archive

This was one of my birth­day gifts. Picked it up at my favorite book store, Joseph Fox on San­som Street, Philadel­phia. Only a short walk from our stu­dio on Wal­nut Street. If you need to be inspired or want to check out how many of the things you own are one of the 999; you’ll have to pick up your own set. Bring along your shop­ping cart or plan on tak­ing a cab ride these pup­pies are hefty.

I’ve begun putting post it notes to mark the objects I own… the oth­ers I can add to my objects of desire.

Phaidon Press – Inter­na­tional Book Publisher

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 my%20studio

This is a view of one of the draw­ing spaces in my stu­dio at Sher­man Mills. The draw­ing that is on the wall was in it’s early stages. It’s com­plete now and has a name, north coun­try. It is one of two draw­ings selected for inclu­sion in the smARTS GROUP SHOW. The sec­ond titled carver road is a smaller piece. The draw­ings are impres­sions from my last visit to the Adiron­dacks. You are invited to see the work and visit my stu­dio on June 3rd from 3-7pm. Direc­tions and more about the show can be found at http://www.shermanmillsarts.org

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DSCN2876.JPGDSCN2846.JPG

For my birth­day we decided to make a visit to the Whar­ton Esh­er­ick Museum. I’m not really inter­ested in the fur­ni­ture very much; its the build­ings that inter­est me. This photo gives you an idea of what can hap­pen when you build your own place. I saw this inter­sec­tion and thought: “wow its a fold­ing thing — sort of a cross between a hand machine cut dove­tail and origami. The color of the sur­face is lumi­nous in the over­cast light. The mix­ture of magenta and blue imi­tate a spring­time sunset.

The con­trast of tex­tures is end­less and I wanted to spend more time out­side than in; lucky for me since you can’t take pho­tographs inside.

How about more about origami:

www.origami.as

http://en.wikipedia.org/wiki/Origami

Reser­va­tions are required so call ahead: 610. 644. 5822

The museum is located only a short dis­tance from the south­west bound­ary of Val­ley Forge National His­toric Park off Exit 24 of the Penn­syl­va­nia Turn­pike.

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Do you want Comast to own the net? Do you want any­one but the pub­lic to con­trol the net?

I read this essay today and needed to pass it around. The big guys are start­ing to bind up one of the last demo­c­ra­tic spaces we know. A place for free expres­sion and diver­sity of view­point is in dan­ger. Con­gress may vote this week.
You can take action. go to http://www.savetheinternet.com

War on The Web by Robert B. Reich
from TomPaine.com

Thurs­day 11 May 2006

This week, the House is expected to vote on some­thing termed, in per­fect Orwellian prose, the “Com­mu­ni­ca­tions Oppor­tu­nity, Pro­mo­tion and Enhance­ment Act of 2006.” It will be the first real bat­tle in the com­ing War of Inter­net Democracy.

On one side are the com­pa­nies that pipe the Inter­net into our homes and busi­nesses. These include tele­com giants like AT&T and Ver­i­zon and cable com­pa­nies like Com­cast. Call them the pipe companies.

On the other side are the peo­ple and busi­nesses that send Inter­net con­tent through the pipes. Some are big out­fits like Yahoo, Google and Ama­zon, big finan­cial insti­tu­tions like Bank of Amer­ica and Cit­i­group and giant media com­pa­nies soon to pump lots of movies and TV shows on to the Internet.

But most con­tent providers are lit­tle guys. They’re mom-and-pop oper­a­tions spe­cial­iz­ing in, say, antique egg-beaters or Brook­lyn Dodgers mem­o­ra­bilia. They’re anar­chists, kooks and zealots ped­dling all sorts of crank ideas They’re per­sonal pub­lish­ers and small-time inves­ti­ga­tors. They include my son’s com­edy troupe-streaming new videos on the Inter­net every week. They also include gazil­lions of bloggers-including my hum­ble lit­tle blog and maybe even yours.

Until now, a basic prin­ci­ple of the Inter­net has been that the pipe com­pa­nies can’t dis­crim­i­nate among con­tent providers. Every­one who puts stuff up on the Inter­net is treated exactly the same. The net is neutral.

But now the pipe com­pa­nies want to charge the con­tent providers, depend­ing on how fast and reli­ably the pipes deliver the con­tent. Pre­sum­ably, the biggest con­tent providers would pay the most money, leav­ing the lit­tle con­tent peo­ple in the slow­est and least-reliable parts of the pipe. (It will take you five min­utes to down­load my blog.)

The pipe com­pa­nies claim unless they start charge for speed and reli­a­bil­ity, they won’t have enough money to invest in the next gen­er­a­tion of net­works. This is an absurd argu­ment. The pipes are already mak­ing lots of money off con­sumers who pay them for being con­nected to the Internet.

The pipes fig­ure they can make even more money dis­crim­i­nat­ing between big and small con­tent providers because the big guys have deep pock­ets and will pay a lot to travel first class. The small guys who pay lit­tle or noth­ing will just have to set­tle for what’s left.

The House bill to be voted on this week would in effect give the pipes the green light to go ahead with their plan.
Price dis­crim­i­na­tion is as old as cap­i­tal­ism. Instead of charg­ing every­one the same for the same prod­uct or ser­vice, sell­ers divide things up accord­ing to grade or qual­ity. Buy­ers will­ing to pay the most can get the best, while other buy­ers get lesser qual­ity, accord­ing to how much they pay. The­o­ret­i­cally, this is effi­cient. Sell­ers who also have some­thing of a monop­oly (as do the Inter­net pipe com­pa­nies) can make a killing.

But even if it’s effi­cient, it’s not demo­c­ra­tic. And here’s the rub. The Inter­net has been the place where Davids can take on Goliaths, where some­one with­out resources but with brains and guts and infor­ma­tion can skewer the high and mighty. At a time in our nation’s his­tory when wealth and power are becom­ing more and more con­cen­trated in fewer and fewer hands, it’s been the one forum in which all voices are equal.

Will the pipe com­pa­nies be able to end Inter­net democ­racy? Per­haps if enough of the small guys make enough of a fuss, Con­gress may lis­ten. But don’t bet on it. This Con­gress is not in the habit of lis­ten­ing to small guys. The best hope is that big con­tent providers will use their for­mi­da­ble lob­by­ing clout to demand net neu­tral­ity. The finan­cial ser­vices sec­tor, for exam­ple, is already spend­ing bil­lions on infor­ma­tion tech­nol­ogy, includ­ing online bank­ing. Why would they want to spend bil­lions more pay­ing the pipe com­pa­nies for the Inter­net access they already have?

The pipe com­pa­nies are busily try­ing to per­suade big con­tent providers that it’s in their inter­est to pay for faster and more reli­able Inter­net deliv­er­ies. Verizon’s chief Wash­ing­ton lob­by­ist recently warned the finan­cial ser­vices indus­try that if it sup­ports net neu­tral­ity, it won’t get the sophis­ti­cated data links it will need in the future. The pipes are also qui­etly reas­sur­ing the big con­tent providers that they can pass along the fees to their customers.

Will the big con­tent providers fall for it? Stay tuned for the next episode of Inter­net democ­racy ver­sus monop­oly capitalism.

——–

Robert Reich is pro­fes­sor of pub­lic pol­icy at the Richard and Rhoda Gold­man School of Pub­lic Pol­icy at the Uni­ver­sity of Cal­i­for­nia, Berke­ley. He was sec­re­tary of labor in the Clin­ton administration.

MORE LINKS.
Video of Moby: http://www.savetheinternet.com/moby
Audio clip of Moby: http://www.SavetheInternet.com/moby_bite2.mp3
Air Amer­ica inter­view with Moby: http://www.airamericaradio.com/saveinternet
CNN high­lights Moby: http://www.cnn.com/CNN/Programs/situation.room/blog/
AP story on Moby: http://asap.ap.org/stories/592550.s
REM’s announce­ment: www.remhq.com

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cameratruck

If you know what a pin­hole cam­era is then I’m sure you find this con­cept intrigu­ing. If you want to know more about pin­hole cam­eras you can google it. Basi­cally it is a cam­era with­out a lens, just a lit­tle hole that the light trav­els through to the back of the cam­era where the film resides.

So now what you want to do is imag­ine a truck with a hole in its side being the cam­era. You want to see this don’t you? Ok head on over to http://www.cameratruck.net/

cameratruck

This is a won­der­ful site that takes you on a jour­ney with a group of four peo­ple trav­el­ing around with the worlds biggest cam­era. Look there’s the hole in the side of the truck! They are in Spain right now mak­ing really big pho­tographs. Going to Pho­toEs­pana. (sorry, couldn’t get the accent to work)

If you want to make your own pin­hole and try this on a smaller scale there are plenty of good options. You could make one out of an oat­meal box. Or go over to Lomo and buy one of these sweet wooden pin­hole cam­eras. They have a great descrip­tion of how a pin­hole cam­era works here.

Wanda Scott has a ter­riffic site. She makes pin­hole cam­eras out of anything!

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smARTS GROUP SHOW

June 3rd will be a art­ful day at Sher­man Mills. I will be par­tic­i­pat­ing in the open stu­dios and enter­ing work for inclu­sion in the juried show. A brand new gallery space is being read­ied now for a show that will con­tain works from the Sher­man Mills ARTS com­mu­nity. Build­ing 32 the largest of the artist stu­dio build­ings will have an open show in the first floor lounge. Open stu­dios work includes paint­ing, draw­ing, fiber arts, glass, ceram­ics, and scupture.

smARTS GROUP SHOW open­ing will be from 3–7 pm

music by Don­ald Robin­son Quartet

Other com­mu­nity events and shows include:

East Falls Glass­works : Open House with glass blow­ing demonstrations.

Crafts for Liv­ing Gallery : Philadel­phia Guild of Handweavers.

Juried show of emerg­ing and acknowl­edged weavers and fiber artists.

Sher­man Mills in East Falls : a diverse com­mu­nity where peo­ple live work and play.

Click here for google map to find us. 

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orangecard

This is a great lit­tle drive. Size of a credit card.

What makes it great? You can carry plenty of stuff. Back up your cam­corder, your mp3 library, or back up all the pho­tos from a days raw. And’s easy to find in Safety Orange. The best place to buy it — small­dog of course.

costs about 135 bucks
http://www.smalldog.com/product/36329

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I read this in the NYTimes today.

The last above-ground rem­nant of the World Trade Cen­ter — a bat­tered but still —rec­og­niz­able stair­case down which hun­dreds fled to safety on 9/11 from the inferno in the north tower — is one of the most endan­gered his­tor­i­cal places in Amer­ica, the National Trust for His­toric Preser­va­tion said today.
The last above-ground rem­nant of the World Trade Cen­ter — a bat­tered but still—recognizable stair­case down which hun­dreds fled to safety on 9/11 — has become one of the most endan­gered his­tor­i­cal places in America.

Sil­ver­stein Prop­er­ties has not made a com­mit­ment to pre­serve the stair­case and we’re urg­ing them to do so,” said Richard Moe, the pres­i­dent of the trust, a pri­vate, non­profit orga­ni­za­tion that uses its con­sid­er­able influ­ence in place of any actual reg­u­la­tory power.

http://www.nytimes.com/2006/05/10/nyregion/10cnd-stair.html
Fred R. Conrad/The New York Times

You may need to be reg­is­tered if the story is more than a week old.

I looked for a pho­to­graph that I could place here but every­thing has a copy­right notice and I found a site that the sur­vivers have cre­ated to help save this haunt­ing piece of his­tory. This is the best one I have found so far. http://www.survivorsnet.org/stairway/5.html

Look­ing at this stair­way instantly reminded me of the memo­r­ial to the dead of the USS Ari­zona at Pearl Har­bor. It is a place frozen in time. Those that visit are trans­ported to a place silent yet vibrat­ing with the events that took place there. Sav­ing this stair­way says some­thing more than build­ing a memo­r­ial; it grounds us in truth that sur­rounds us.

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apple

Well, the deci­sion is in… Apple can use the apple.

Does any­one really know who Apple Corps is any­more? The granny smith that adorned the last of the Bea­t­les Albums is a dim mem­ory. Do they con­tinue to dis­trib­ute Bea­t­les music I really don’t know. I do know that I have been wait­ing and wait­ing and wait­ing for Bea­t­les music to be remas­tered and avail­able in dig­i­tal for­mat. What are they think­ing?
This image is a cap­ture of the Apple Corps web­site. One screen and if you look at the bot­tom (you can enlarge the image by click­ing on it) you can see that the page is a place­holder. This is an exam­ple of the kind of think­ing that led Apple Corps to believe that they would win in court. What kind of think­ing — old think­ing.

The out­come of the trial appeared in the bag to me; espe­cially when I read this:

In 1991, Apple Corps sued Apple Com­puter again, alleg­ing that by adding sound to com­put­ers, the com­puter com­pany was in vio­la­tion of the 1981 agree­ment. This time Apple Com­puter paid $26.5 mil­lion. The com­puter giant agreed that although it may be involved in dig­i­tal music, it would not pack­age, sell or dis­trib­ute any phys­i­cal music mate­ri­als, such as CDs.

The idea of trans­fer­ring bits and bytes that are just data until they meet an appli­ca­tion at the end of another piece of hard­ware is still not in Apple Corps field of vision. It cost them this case.
It is 2006 and Bea­t­les music is still not avail­able in dig­i­tal form. What are they think­ing. Seems to me if the con­cen­trated on get­ting their music into dig­i­tal form for dis­tri­b­u­tion on the web they could have made the money they spent to go to court.

Steve Jobs’ cheery response — “We are glad to put this dis­agree­ment behind us. We have always loved The Bea­t­les and hope­fully we can now work together to get them on the iTunes Music Store”

The ques­tion is will Apple Corps con­tinue to pos­ture or get their music on the web?

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growl capture

 

Growl is one of my favorite new technologies.

It allows appli­ca­tions to pro­vide [the user] infor­ma­tion about actions they have taken with­out you hav­ing to switch out of the appli­ca­tion that you are cur­rently using. I love that it lets me know when a down­load is com­plete or that I have got­ten new mail and I can scan the sender, sub­ject, and a short excerpt of what is con­tained in the message.

Growl is cur­rently ver­sion 0.7.4

It’s a 2 MB download

Requires Mac OS X 10.3.9 or above.

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