— unpredictable thoughts

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March, 2009 Monthly archive

Blipfoto __ This Too Will Vanish... __ 29 March 2009.png

On Sun­day March 29th I saw this tweet:

blipped the mail box. » link to Blipfoto

Life metaphor through artifacts.

The mem­o­ries and voices of more than thirty seven years have arrived, been placed, and tem­porar­ily cap­tured in this well shaped box. Words have been spo­ken by and to the inhab­i­tants after being deposited and then removed from this con­tainer.  The metaphor of give and take expressed in this arti­fact — his­tory, mem­ory, family.

I fol­lowed the link and found the image and this short story.

This is the mail­box that was on the house when I was two in 1974; the year my fam­ily moved in. It has been painted many dif­fer­ent col­ors and later it was replaced with a more effi­cient model. I moved back into the house six years ago, when my par­ents moved away. I found the old mail box in the base­ment and promptly put it back up.

I am now thirty seven and this is my mailbox…

The beauty of this object and its sto­ries made their way to me — from the cur­rent holder of the ves­sel who is des­tined to remem­ber each time a new voice finds itself inside this container.

How sub­lime. A new draw­ing comes to mind.

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teatime

Almost tea time.

teatime

Really hot for two big pots.

Some­times ya just have to be lazy. It’s been one heck of a week.

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6“X2 14″ diam.
Ink, graphite, white char­coal on hand­made paper, glass milk bot­tle with attached rub­ber cork, sand.


Miss Ninety was sup­posed to be one of the 96 Amer­i­can Kids, but she was a troublemaker…so I bot­tled her.
– Len Cowgill

I’ve always been called a trou­ble­maker so I had to give Miss Ninety a place at my blog. Len’s work is always cre­ates a very emo­tional expe­ri­ence for me. Each draw­ing in his series stand alone and add to the whole in an unex­pected way. Just imag­in­ing if some­one had bot­tled me.

You can see more bot­tle draw­ings here.

You can buy his work here : tama­rack art gallery

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Studioscopic_ Kukuli Velarde-1.png

The artist and one of her paintings.

Studioscopic_ Kukuli Velarde 3-1.png

The artist as one of her pieces

I actu­ally posted this video at our heavy­bub­ble blog because it struck me so. Lis­ten­ing to Kukuli Velarde talk about her­self and her path as a painter, then ceramic artist, and now painter again was quite a jour­ney. Lots of artists have this kind of jour­ney. Often as artists we expe­ri­ence these things and never talk to any­one about our jour­ney in this way. Being behind the lens of a video cam­era with an inter­viewer who makes one com­fort­able enough to talk about the work in an open way.

Kukuli Velarde makes amaz­ing work and she works through her feel­ings over time mak­ing pieces that express each and every sec­ond of inter­nal process. In that process she con­fronts the issues that ener­gize her work and bring us face to face with her inter­nal questioning.

The work is pow­er­ful and frank. It uses many vocab­u­lar­ies to cap­ture our atten­tion. With all the inten­sity there is still a beauty and joy that allows you to embrace the art and want to keep it near you.

Use the link below to watch the video. I’ve also included her website.

links:
kukuli velarde: the path of a painter [video]

kukuli velarde [web]

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Ok. Soon I will go crazy if I don’t take a trip to friend Peter Fra­ter­deus’ printshop. Been talk­ing about mak­ing let­ter­press prints of Egypt­ian Waters for months now. Time to stop talk­ing and head out there on a ROAD TRIP. Will be tak­ing sheets of Rives BFK but will look at print­ing on some hand­crafted sheets too.

About Exquis­ite Letterpress :

Exquis­ite Let­ter­press has print­ing facil­i­ties at Dubuque Let­ter­press in the old Ware­house Dis­trict in Dubuque, Iowa, and design stu­dios in Galena, Illinois.

Founder, type direc­tor and printer Peter Fra­ter­deus has been work­ing with let­ter­press since 7th grade at Nichols Junior High School in Evanston Illi­nois. “Print Shop” teacher Mr. Hueb­ner would surely never have imag­ined that forty years later, Peter would be ink­ing up these old Chan­dler and Price platen presses to pro­duce not just “busi­ness cards” but exquis­ite typography.

Maybe we’ll make some lim­ited edi­tion note cards.

This is a shot of some work Peter did that intrigues me. It has some large areas of color that are exciting.

web­site:
exquisiteletterpress.com

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South Street has avoided for the most part, being taken over by the chain stores more often seen in sub­ur­ban malls or so called lifestyle cen­ters. The econ­omy is kick­ing the butts of small busi­nesses and it is hit­ting Philadel­phia hard enough that land­lords are look­ing for ways to fill empty store­fronts. This has opened con­sid­er­able oppor­tu­ni­ties for artists espe­cially on South Street.

South Street is using the down­turn to its advan­tage expand­ing arts oppor­tu­ni­ties on what has always been known as the bohemian street in Philly. Four gal­leries will kick­start the plan.

More thoughts and pho­tos soon.

Going down South from Eighth to Head­house Square here are the offer­ings in the first galleries:

DUMPSTER DIVERS @ 734 SOUTH
A col­lec­tive of artists who work won­ders with found art Among the Dumpser Divers is South Street pio­neer Joel Spi­vak.
space donated by Howard Lan­der & Richard H. Roth­man

TYLER STUDENTS ART SHOWCASE @ 504 SOUTH
For­mer home of leg­endary Grendel’s Lair. Work includes fine arts, pho­tog­ra­phy and sculp­ture.
space donated by Michael Axelrod

SAINT MARCH @ 406 SOUTH
Two dozen artists have cre­ated a “Saint” com­plete with relics of her body parts. A por­tion of the mod­er­ate price for the art pieces will go toward an organ donor pro­gram.
Curated by Lucy Pis­tilli.
space donated by Michael Axelrod

SAGE PROJECT @ 333 SOUTH
Instal­la­tion enti­tled Purpose/Repurpose. Artists used found objects or rem­nants from the for­mer bou­tique to cre­ate paint­ings, assem­blages, video and multi-media instal­la­tions. The upper level gallery fea­tures paint­ings.
space donated by Michael Axelrod

www.artsonsouth.com

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Had to share this lit­tle piece I found on the net. I know it’s from some­one I fol­low on twit­ter; just can’t remem­ber who. These are the sounds I hear in my head after the birds tweet.

Enjoy.

Twit­ter­Ra­dio from Mark McK­eague on Vimeo.

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Esa Noche - (Cafe Tacuba)

You shouldn’t have left me that night.
Because that night i found a new love.
you shouldn’t have left me that night.
Because that night i found a new love.
it seemed she was wait­ing the moment of your depar­ture.
it seemed to have observed my moments with you.
you shouldn’t have left me that night.
Because that night i found a new love.
you shouldn’t have left me that night.
Because that night i found a new love,
who embraced me tightly
as soon as you said good bye to me
It wasn´t a big sad­ness…
Was a change from less to more
I was wait­ing for your return, but i saw you so happy
in your lover’s arms you for­got about me.
But now you think about me,
Come back into my arms
I´ll be your lover for ever,
your girl­friend the lone­li­ness.
… and if some­day you return to
the One who loves you
You know, will not be the same
because she knew me too
You shouldn’t have left me that night.
Because that night i found a new love
My lone­li­ness I always have belonged to you
My lone­li­ness I always have belonged to you
Oh, my lone­li­ness, I always have belonged to you.

You might want to take a look at this video at the heavy­bub­ble blog.

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