— unpredictable thoughts

Archive
May, 2010 Monthly archive

i wanted a per­fect end­ing. now i’ve learned, the hard way, that some poems don’t rhyme, and some sto­ries don’t have a clear begin­ning, mid­dle and end. life is about not know­ing, hav­ing to change, tak­ing the moment and mak­ing the best of it, with­out know­ing what’s going to hap­pen next. deli­cious ambiguity.

— gilda radner

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His work again is sur­fac­ing. A new gen­er­a­tion is dis­cov­er­ing his brilliance.

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From out­side the color draws me like a bea­con. When inside color washes over my body and it changes as I move from one place to another. I’m orange. I’m blue. When I chase the light and it chases me. That expe­ri­ence is the Mon­treal Con­ven­tion Center.

When I hear the words con­ven­tion cen­ter I cringe. I have expe­ri­enced many a con­ven­tion cen­ter and they are unin­spired spaces. They have very lit­tle if any energy of their own. Vis­i­tors come and go but the build­ings and spaces cre­ated inside are dead except for the mechan­i­cal drone of HVAC or esca­la­tors. Some of the build­ings focus are indus­trial, some mon­u­men­tal, oth­ers over­grown shop­ping malls.

Why is it that our gov­ern­ment build­ings are so unin­spir­ing? Is it our cul­ture? Is it because we some­how think that our tax dol­lars and neigh­bor­hoods don’t deserve beauty? I think it is the process that we have for cre­at­ing pub­lic build­ings. The process is with­out inspi­ra­tion or vision.

Mon­treal on the other hand had a mar­velous vision and they have shared it with all of us.


The Penn­syl­va­nia Con­ven­tion Cen­ter is one of the worse inside and out. I don’t want to go on about it check it out your­self here : http://www.paconvention.com

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Gil Scott-Heron, Rod Youngs-Drums, Kim Jordan-Keys, Don Mc Griggs-Bass, Ed Brady-Guitar, Larry Mc Donald-Perc

So thrilled he’s record­ing music again. Rock your soul.

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There is only one way to read, which is to browse in libraries and book­shops, pick­ing up books that attract you, read­ing only those, drop­ping them when they bore you, skip­ping the parts that drag-and never, never read­ing any­thing because you feel you ought, or because it is part of a trend or a move­ment. Remem­ber that the book which bores you when you are twenty or thirty will open doors for you when you are forty or fifty-and vise versa. Don’t read a book out of its right time for you.
— Doris Lessing

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Ice­land, Eyjaf­jal­la­jökull — May 1st and 2nd, 2010 from Sean Stiege­meier on Vimeo.

Saw this and had to share it. A won­der­ous time-lapse view of the vocanic errup­tion in Ice­land, Eyjaf­jal­la­jökull — May 1st and 2nd, 2010. The beauty and power of nature.

Enjoy.

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Grav­ité (Grav­ity) from Renaud Hal­lée on Vimeo.

Grav­ity makes rhythm. Makes me want to go out and draw.

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Of all the nasty out­comes pre­dicted for women’s lib­er­a­tion… none was more alarm­ing, from a fem­i­nist point of view, than the sug­ges­tion that women would even­tu­ally become just like men.
— Bar­bara Ehrenreich

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Day two is a Sun­day this year.

I can remem­ber as a kid using the dis­tress call : MAYDAY, MAYDAY, MAYDAY to get help when our strat­egy games may have gone wrong.

Under­stand­ing MAYDAY

May­day is an emer­gency code word used inter­na­tion­ally as a dis­tress sig­nal in voice pro­ce­dure radio com­mu­ni­ca­tions. It derives from the French venez m’aider, mean­ing “come (and) help me”. It is used to sig­nal a life-threatening emer­gency by many groups, such as police forces, pilots, fire­fight­ers, and trans­porta­tion orga­ni­za­tions. The call is always given three times in a row (“mayday-mayday-mayday”) to pre­vent mis­tak­ing it for some similar-sounding phrase under noisy con­di­tions and to dis­tin­guish an actual may­day call from a mes­sage about a may­day call.
– from Wikipedia, the free encyclopedia

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