— unpredictable thoughts

Archive
objects of desire

Just found a sup­plier for some plas­tic wheat­grass. Yes, I am excited and have devi­ous plans for my 6 x 6 inch squares.

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One of my favorite artists. One of the few live videos I’ve been able to find.

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Alice is in the title, but the Mad Hat­ter is get­ting all the press. The Mad Hat­ter may be for­ever known as Johnny Depp. I’ve been watch­ing the trail­ers and my antic­i­pa­tion for this film is at 18 on a scale of ten. Tim Bur­ton cre­ates the won­der­land of my dreams.

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Patti Smith makes art in what­ever way she can. I wanna sing like Patti Smith. I wanna be like Patti Smith, sorta.

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The cam­paign by John and Yoko Lennon con­tin­ues again this year with new tools. You can head over to Flickr and find a War is Over (if you want it) poster. There are as many lan­guages as they have been able to man­age. If you can help to trans­late into any of the addi­tional lan­guages give them a hand at www.imaginepeace.com

Or sendin your con­tri­bu­tions & refine­ments to admin [at] IMAGINEPEACE [dot] com

I choose to show Burmese for Aung San Suu Kyi and the strug­gle in Burma.

Peace.

WAR IS OVER! Multilingual posters _ postcards - a set on Flickr

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The screen door slams
Mary’s dress waves
Like a vision she dances across the porch
As the radio plays
Roy Orbi­son singing for the lonely
Hey that’s me and I want you only
Don’t turn me home again
I just can’t face myself alone again
Don’t run back inside
dar­ling you know just what I’m here for
So you’re scared and you’re think­ing
That maybe we ain’t that young any­more
Show a lit­tle faith, there’s magic in the night
You ain’t a beauty, but hey you’re alright
Oh and that’s alright with me

You can hide ‘neath your cov­ers
And study your pain
Make crosses from your lovers
Throw roses in the rain
Waste your sum­mer pray­ing in vain
For a sav­ior to rise from these streets
Well now I’m no hero
That’s under­stood
All the redemp­tion I can offer, girl
Is beneath this dirty hood
With a chance to make it good some­how
Hey what else can we do now
Except roll down the win­dow
And let the wind blow back your hair
Well the night’s bust­ing open
These two lanes will take us any­where
We got one last chance to make it real
To trade in these wings on some wheels
Climb in back
Heaven’s wait­ing on down the tracks
Oh oh come take my hand
Rid­ing out tonight to case the promised land
Oh oh Thun­der Road, oh Thun­der Road
oh Thun­der Road
Lying out there like a killer in the sun
Hey I know it’s late we can make it if we run
Oh Thun­der Road, sit tight take hold
Thun­der Road

Well I got this gui­tar
And I learned how to make it talk
And my car’s out back
If you’re ready to take that long walk
>From your front porch to my front seat
The door’s open but the ride it ain’t free
And I know you’re lonely
For words that I ain’t spo­ken
But tonight we’ll be free
All the promises’ll be bro­ken
There were ghosts in the eyes
Of all the boys you sent away
They haunt this dusty beach road
In the skele­ton frames of burned out Chevrolets

They scream your name at night in the street
Your grad­u­a­tion gown lies in rags at their feet
And in the lonely cool before dawn
You hear their engines roar­ing on
But when you get to the porch they’re gone
On the wind, so Mary climb in
It’s a town full of losers
And I’m pulling out of here to win.

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Haven’t you always wanted to walk on water?

I have admired Maya Lin’s work for two decades. The thought­ful­ness, the scale, and the amaz­ing bal­ance of the dis­ci­pline of archi­tec­ture and the emo­tional vocab­u­lary are con­trolled yet cre­ate both vis­ceral reac­tions that then trig­ger intel­lec­tual responses.
Her inves­ti­ga­tion of water/waves and their dis­tinct states have cre­ated inter­nal con­ver­sa­tions that have man­i­fest them­selves in my hiero­glyph­ics that have come after Egypt­ian Waters.

I dream of walk­ing on the waters, float­ing in the space between the waves.

Now I will make the equiv­a­lent of a pil­grim­age to the Wave Field at Storm King. I will walk on the waves, I will lie and stand between the waves unable to see beyond the lead wave or the fol­low­ing one. I will pho­to­graph my point of view. I will cap­ture video of the chang­ing light. I will stand on the waters sus­pended in time.

THE ARTIST : Maya Lin
THE SPACE : Storm King
EXHIBITION : Wave Field

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Card Shop | Sparked.png

I knew it, some­one would notice this amaz­ing project by Exquis­ite Let­ter­press, the shop of my long­time co-conspirator Peter Fra­ter­deus. Peter and I have known each other since the begin­ning of time. From his Mice­type newslet­ters in the early days of laser print­ing Post­script™ tech­nolo­gies, first third party type house to cre­ate mul­ti­ple mas­ter fonts, the first online com­mu­nity for design­ers designon­line, first AIGA com­mu­nity online, and his Alpha­bets foundry — we have exper­i­mented with offline and online tech­nolo­gies together.

Ya need to go over and BUY a pack of these cards or bet­ter yet print a set of your own design. These are lus­cious. Amaz­ing amounts of ink cov­er­age on cot­ton paper. Pleeze! Show some love for letterpress.

from Crane Paper’s blog :
Geof­fry said the art card series offers eight humor­ous orig­i­nal designs printed by Peter Fraderdeus of Exquis­ite Let­ter­press on Crane’s Let­tra paper. “Each design is a unique and amus­ing com­men­tary on issues rang­ing from energy inde­pen­dence to the evo­lu­tion debate,” said Geof­fry. Themes and titles include Play Date with the Devil, Bright Idea, Heavy Thoughts, Don’t be Shy, Bal­anc­ing Act, Peace Out, Drill Baby Drill, and So Evolved.

Big kudos to Peter! Now he can get ready for our Spring Fling an all-out sprint to print a set of my ink draw­ings, egypt­ian waters as a full­size lim­ited edi­tion and a set of blank note­cards. I think he can han­dle it.

We’re plan­ning an open house event around the print­ing of these draw­ings. Details to come.

Please note trade­marks on Mice­type, Post­script, designon­line, Alpha­bets and any oth­ers we may have for­got­ten to men­tion.

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teatime

Almost tea time.

teatime

Really hot for two big pots.

Some­times ya just have to be lazy. It’s been one heck of a week.

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Ok. Soon I will go crazy if I don’t take a trip to friend Peter Fra­ter­deus’ printshop. Been talk­ing about mak­ing let­ter­press prints of Egypt­ian Waters for months now. Time to stop talk­ing and head out there on a ROAD TRIP. Will be tak­ing sheets of Rives BFK but will look at print­ing on some hand­crafted sheets too.

About Exquis­ite Letterpress :

Exquis­ite Let­ter­press has print­ing facil­i­ties at Dubuque Let­ter­press in the old Ware­house Dis­trict in Dubuque, Iowa, and design stu­dios in Galena, Illinois.

Founder, type direc­tor and printer Peter Fra­ter­deus has been work­ing with let­ter­press since 7th grade at Nichols Junior High School in Evanston Illi­nois. “Print Shop” teacher Mr. Hueb­ner would surely never have imag­ined that forty years later, Peter would be ink­ing up these old Chan­dler and Price platen presses to pro­duce not just “busi­ness cards” but exquis­ite typography.

Maybe we’ll make some lim­ited edi­tion note cards.

This is a shot of some work Peter did that intrigues me. It has some large areas of color that are exciting.

web­site:
exquisiteletterpress.com

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