— unpredictable thoughts

Archive
reading

Who, who had only seen wings,
could extrap­o­late the
skinny sticks of things
birds use for land,
the back­ward way they bend,
the silly way they stand?
And who, only study­ing
bird­tracks in the sand,
could think those lit­tle forks
had decamped on the wind?
So many paired things seem odd.
Who ever would have dreamed
the broad winged raven of despair
would quit the air and go
bandy­legged upon the ground,
a com­mon crow?

Kay Ryan, 1994

Read More

You that sang to me once sing to me now
let me hear your long lifted note
sur­vive with me
the star is fad­ing
I can think far­ther than that but I for­get
do you hear me

do you still hear me
does your air
remem­ber you
o breath of morn­ing
night song morn­ing song
I have with me
all that I do not know
I have lost none of it

but I know bet­ter now
than to ask you
where you learned that music
where any of it came from
once there were lions in China

I will lis­ten until the flute stops
and the light is old again

- W.S. MERWIN

Read More

Inau­gural Poem

A Rock, A River, A Tree
Hosts to species long since departed,
Marked the mastodon.

The dinosaur, who left dry tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their has­ten­ing doom
Is lost in the gloom of dust and ages.

But today, the Rock cries out to us, clearly, force­fully,
Come, you may stand upon my
Back and face your dis­tant des­tiny,
But seek no haven in my shadow.

I will give you no more hid­ing place down here.

You, cre­ated only a lit­tle lower than
The angels, have crouched too long in
The bruis­ing dark­ness,
Have lain too long
Face down in ignorance.

Your mouths spilling words
Armed for slaughter.

The Rock cries out today, you may stand on me,
But do not hide your face.

Across the wall of the world,
A River sings a beau­ti­ful song,
Come rest here by my side.

Each of you a bor­dered coun­try,
Del­i­cate and strangely made proud,
Yet thrust­ing per­pet­u­ally under siege.

Your armed strug­gles for profit
Have left col­lars of waste upon
My shore, cur­rents of debris upon my breast.

Yet, today I call you to my river­side,
If you will study war no more. Come,

Clad in peace and I will sing the songs
The Cre­ator gave to me when I and the
Tree and the stone were one.

Before cyn­i­cism was a bloody sear across your
Brow and when you yet knew you still
Knew nothing.

The River sings and sings on.

There is a true yearn­ing to respond to
The singing River and the wise Rock.

So say the Asian, the His­panic, the Jew
The African and Native Amer­i­can, the Sioux,
The Catholic, the Mus­lim, the French, the Greek
The Irish, the Rabbi, the Priest, the Sheikh,
The Gay, the Straight, the Preacher,
The priv­i­leged, the home­less, the Teacher.
They hear. They all hear
The speak­ing of the Tree.

Today, the first and last of every Tree
Speaks to humankind. Come to me, here beside the River.

Plant your­self beside me, here beside the River.

Each of you, descen­dant of some passed
On trav­eller, has been paid for.

You, who gave me my first name, you
Pawnee, Apache and Seneca, you
Chero­kee Nation, who rested with me, then
Forced on bloody feet, left me to the employ­ment of
Other seekers–desperate for gain,
Starv­ing for gold.

You, the Turk, the Swede, the Ger­man, the Scot …
You the Ashanti, the Yoruba, the Kru, bought
Sold, stolen, arriv­ing on a night­mare
Pray­ing for a dream.

Here, root your­selves beside me.

I am the Tree planted by the River,
Which will not be moved.

I, the Rock, I the River, I the Tree
I am yours–your Pas­sages have been paid.

Lift up your faces, you have a pierc­ing need
For this bright morn­ing dawn­ing for you.

His­tory, despite its wrench­ing pain,
Can­not be unlived, and if faced
With courage, need not be lived again.

Lift up your eyes upon
The day break­ing for you.

Give birth again
To the dream.

Women, chil­dren, men,
Take it into the palms of your hands.

Mold it into the shape of your most
Pri­vate need. Sculpt it into
The image of your most pub­lic self.
Lift up your hearts
Each new hour holds new chances
For new beginnings.

Do not be wed­ded for­ever
To fear, yoked eter­nally
To brutishness.

The hori­zon leans for­ward,
Offer­ing you space to place new steps of change.
Here, on the pulse of this fine day
You may have the courage
To look up and out upon me, the
Rock, the River, the Tree, your country.

No less to Midas than the mendicant.

No less to you now than the mastodon then.

Here on the pulse of this new day
You may have the grace to look up and out
And into your sister’s eyes, into
Your brother’s face, your coun­try
And say sim­ply
Very sim­ply
With hope
Good morning.

Read More

Mes­sen­gers much like our­selves? Explain it.
Stead­fast­ness the dark­ness makes explicit?
Some­thing heard most clearly when not near it?

Above par­tic­u­lar­i­ties,

These unpar­tic­u­lar­i­ties praise can­not violate.

One has seen, in such steadi­ness unde­flected,
How by dark­ness a star is perfected.

Star that does not ask me if I see it?
Fir that would not wish me to uproot it?
Speech that does not ask me if I hear it?

Mys­ter­ies expound mysteries.

Stead­ier than steady, star daz­zling me, live and elate,

no need to say, how like some we have known; too like her,
too like him, and a-quiver forever.

—Mar­i­anne Moore, 1945

Read More

Irans Post-Election Uprising

Iran is ready for change. The Green Tsunami con­tin­ues today despite the crack­down on pro­test­ers. There is a true rev­o­lu­tion going on in Iran and we need to keep the story alive. If you tweet look for #iran­elec­tion and stay informed and spread the news. The move­ment con­tin­ues from within and out­side gov­ern­ment even though the media sees it as less of a story.

The result of this move­ment can bring a change that will have impact on the entire Mid­dle East and world pol­icy. Ira­ni­ans are forc­ing change. Let’ hope they will cre­ate an new envi­ron­ment that will push the restric­tive regime from power.

Here’s a quote from the intro to the graphic novel. You can read it online or down­load it. Most impor­tantly share it with your friends.

http://www.spreadpersepolis.com/download-and-spread-the-word/

The cam­paign of for­mer Prime Min­is­ter Mir Hus­sein Mous­savi gal­va­nized vot­ers hop­ing for change, espe­cially among the youth – two thirds of Iran’s pop­u­la­tion is younger than 32. On June 12th 85% of eli­gi­ble vot­ers cast their bal­lots and what hap­pened next changed Iran forever…”

http://www.spreadpersepolis.com/

Fol­low:

http://www.huffingtonpost.com/news/iran

Iran upris­ing : Live Blogging

Read More

First among places
sus­cep­ti­ble to tres­pass
are mirage oases

whose grad­u­ated pools
and shaded grasses, palms
and speck­led fishes give
before the light­est pres­sure
and are wrecked.

For they live
only in the king­dom
of sus­pended wishes,
thrive only at our plea­sure
checked.

Kay Ryan, 1997

Read More

Many Eyes

Got a tweet from Carl Mala­mud today that led me to this arti­cle about Mar­tin Wat­ten­berg. It’s always great to read about a whole yarn­ball of my inter­ests at one time. Cul­ture, infor­ma­tion, visu­al­iza­tion, and the mean­ing we can bring to data by cre­at­ing con­text. See an ongo­ing project at the TATE in the UK. ( MW2MW is a col­lab­o­ra­tion between Marek Wal­czak and Mar­tin Wat­ten­berg. Started in 1997, both artists work inde­pen­dently but come together on long term projects such as Apart­ment, Won­der­walker, Think­ing Machine and Noplace.) http://www.mw2mw.com/

These exper­i­ments and jour­neys open up new ways to look at what we see each day in a new light.

The aes­thetic is a bit clumsy for my lik­ing still the work at the con­cep­tual level is very intrigu­ing and the visu­al­iza­tions shed light on the snap­shots he takes.

Take some time to enjoy these works. Inter­ested in your thoughts.

Blogged with the Flock Browser

Tags: , , , , ,

Read More

Wild Geese

You do not have to be good.
You do not have to walk on your knees
for a hun­dred miles through the desert, repent­ing.
You only have to let the soft ani­mal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Mean­while the world goes on.
Mean­while the sun and the clear peb­bles of the rain
are mov­ing across the land­scapes,
over the prairies and the deep trees,
the moun­tains and the rivers.
Mean­while the wild geese, high in the clean blue air,
are head­ing home again.
Who­ever you are, no mat­ter how lonely,
the world offers itself to your imag­i­na­tion,
calls to you like the wild geese, harsh and excit­ing–
over and over announc­ing your place
in the fam­ily of things.

© Mary Oliver.

Blogged with the Flock Browser

Tags: , , , ,

Read More

I was wan­der­ing around read­ing about art on the web and found some very inter­est­ing thoughts by Keith Har­ing. It made me remem­ber how he made art PUBLIC, as pub­lic as it could be. That was extremely ener­giz­ing and all I could think about was art that wasn’t framed, or installed, or pro­tected from the viewer, from the public.

Art is a very pow­er­ful thing — for the maker and those who expe­ri­ence it.

I kept see­ing more and more of these black spaces, and I drew on them when­ever I saw one. Because they were so frag­ile, peo­ple left them alone and respected them; they didn’t rub them out or try to mess them up. It gave them this other power. It was this chalk-white frag­ile thing in the mid­dle of all this power and ten­sion and vio­lence that the sub­way was. Peo­ple were com­pletely enthralled.

– Keith Har­ing (1958 — 1990)

offi­cial site:
www.haring.com

film:
The Uni­verse of Keith Har­ing
by Christina Clausen

Keith-Haring-Poster-FINAL.jpg

Blogged with the Flock Browser

Tags: , , ,

Read More

I want a trans­for­ma­tive movement!

What all trans­for­ma­tive move­ments have in com­mon is the qual­ity of speak­ing up to an aspi­ra­tional pub­lic, to our best pos­si­ble selves. Trans­for­ma­tive move­ments act like the world is bet­ter than it is, and—when they work—they inspire the world to live up to this par­tial pro­jec­tion. The Obama cam­paign, has, in moments, embod­ied pre­cisely that qual­ity: Obama con­jures a bet­ter Amer­ica and that bet­ter Amer­ica shows up for him. But polit­i­cal moments do more than speak to our best selves; they har­ness that quasi-mystical power to make rad­i­cal demands to trans­form the real world. The Obama cam­paign has not done this, not on any issue at the core of our cur­rent cri­sis. Not on global warm­ing, the war in Iraq, the hous­ing cri­sis, health care, under­em­ploy­ment, or the assaults on civil lib­er­ties. Not a sin­gle Obama pol­icy is unequiv­o­cal in its clar­ity and moral­ity, which is the essen­tial qual­ity of a trans­for­ma­tive movement.

The campaign’s most rad­i­cal demand, even if unstated, is the idea of elect­ing Obama him­self. It is Obama—and not his plans for the presidency—that is the ulti­mate expres­sion of the “move­ment.” If the process ends there, the Obama cam­paign becomes less like the civil rights move­ment and more like the lifestyle brands in the late ‘90s—the Nikes, Microsofts, and Star­bucks that expertly cap­tured the tran­scen­dent qual­ity of past lib­er­a­tion move­ments, and our desire for mean­ing in our lives, to build their brands.

Of course the real fault is not Obama’s, but ours. We have for­got­ten the kind of risk and work it takes to build trans­for­ma­tive mass move­ments, and so set­tle for iconog­ra­phy instead. That said, he’d bet­ter win.

by Naomi Klein

I read this at The Nation. I think it gets to the crux of what both­ers me about Obama and his cam­paign. I haven’t been able to find the words by Naomi Klein has. This isn’t a trans­for­ma­tive move­ment. All this is is an orches­trated polit­i­cal cam­paign as lifestyle brand. And I espe­cially don’t like the cam­paign. His “logo” and “yes we can” make my skin crawl.

His buffed up graph­ics, his gath­er­ing of phone num­bers and emails for his VP announce­ment by instant mes­sage, his plan to make his accep­tance speech in a foot­ball sta­dium… it is a com­mer­cial­iza­tion that upsets me to the core.

Today I found an email in my spam fil­ter that rein­forced my discomfort.

Design­ing Obama’s brand
Sol Sender, Prin­ci­pal, Sender LLC

Sol Sender and his team at Sender LLC have turned the let­ter “O” in Barack Obama’s name into an iconic logo like the swoosh from the Nike. The inno­v­a­tive approach toward brand­ing the Obama cam­paign has helped set it apart from what has come before. Obama’s brand has sparked many con­ver­sa­tions about the impor­tance of design in polit­i­cal cam­paigns. When Michael Bierut from Pen­ta­gram was asked where Obama’s brand stands against the best com­mer­cial brand design, he answered “I think it’s just as good or bet­ter.” Sol Sender will share his insight and his expe­ri­ence of work­ing on one of the most rec­og­nized polit­i­cal brands. Reg­is­ter for this event ahead of time since it’ll fill up fast.

I’ve lived through a time where there were so many inspi­ra­tional fig­ures. In hind­sight they each had their flaws but they inspired a nation and the world. They had authen­tic­ity that inspired you to the bone, they didn’t need a design firm to man­u­fac­ture one by cre­at­ing a “lifestyle brand”.

Are we as a nation so bereft of ideas and inspi­ra­tion that Obama is enough?

Blogged with the Flock Browser

Tags: , , , , , , ,

Read More

Bad Behavior has blocked 120 access attempts in the last 7 days.