— unpredictable thoughts

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AppleiPhone

Ok, I don’t have an iPhone yet. Basi­cally because I wasn’t will­ing to be an early adopter this time. Now I’m more inter­ested. Video capa­bil­i­ties and the addi­tion of inter­fac­ing with third party devices is very com­pelling. My almost dead Razr is another.

I have a love/hate rela­tion­ship with my Razr. I love that it is a flip phone. I hate that my con­tacts have a dif­fer­ent entry for each num­ber rather than grouped by per­son. I love that my phone is small and sturdy. I hate that I can’t read the keys in the bright sun. I love that my phone can take being dropped. I hate that I have to lis­ten to a whole mes­sage before I can delete it. I hate that tex­ting is impossible.

I love that it has the Motorolla logo — the bat sig­nal on it. And most of all I love that Jack the Cin­gu­lar logo is still on my phone. I hate ATT.

So, I’m sure I will have the same rela­tion­ship with my iPhone. I’ll love my iPhone but I will still hate ATT.

But, I’ll have lots of apps that I can’t wait to get my hands on.
Koi Pond, Bloom, Spore, Level, Com­pass, Pan­dora, iTunes, Tweetie, Bloom, Shazamm …

That’s a start.

Any­thing I’m missing?

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Craig is here for the month. My brother is happy to be on vaca­tion from his shel­tered work­shop. Three whole weeks! That doesn’t mean there isn’t work to do.

Yes­ter­day Mr C. did lots of labels for mov­ing our office.

Craig making labels.

A sharpie is a labeler’s best friend.

Half way there.

Half way there.

Craigs labels put to work

Done.

Awe­some!

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In case you haven’t vis­ited my art jour­nal you might not know that I’m mov­ing my stu­dio. Pack­ing is still going on and the fun of doc­u­ment­ing it is some­thing I thought might be fun to share. This slideshow will update with the new images that I’ll be shar­ing so check back to see what’s new.

If you would like to keep in touch with my stu­dio changes, art open­ings, spe­cial projects, and new work there are many way to do it. You can FAN ME on Face­book. You can visit my heavy­bub­ble art web­site. Visit my stu­dio art­LOG. Sub­scribe to my e-mail list for notifications.

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Irans Post-Election Uprising

Iran is ready for change. The Green Tsunami con­tin­ues today despite the crack­down on pro­test­ers. There is a true rev­o­lu­tion going on in Iran and we need to keep the story alive. If you tweet look for #iran­elec­tion and stay informed and spread the news. The move­ment con­tin­ues from within and out­side gov­ern­ment even though the media sees it as less of a story.

The result of this move­ment can bring a change that will have impact on the entire Mid­dle East and world pol­icy. Ira­ni­ans are forc­ing change. Let’ hope they will cre­ate an new envi­ron­ment that will push the restric­tive regime from power.

Here’s a quote from the intro to the graphic novel. You can read it online or down­load it. Most impor­tantly share it with your friends.

http://www.spreadpersepolis.com/download-and-spread-the-word/

The cam­paign of for­mer Prime Min­is­ter Mir Hus­sein Mous­savi gal­va­nized vot­ers hop­ing for change, espe­cially among the youth – two thirds of Iran’s pop­u­la­tion is younger than 32. On June 12th 85% of eli­gi­ble vot­ers cast their bal­lots and what hap­pened next changed Iran forever…”

http://www.spreadpersepolis.com/

Fol­low:

http://www.huffingtonpost.com/news/iran

Iran upris­ing : Live Blogging

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everyone

In sol­i­dar­ity with our Iran­ian friends.

June 17 / 5 – 8pm

Rit­ten­house square (North Side), Between 18th and 19th on Wal­nut Street

We stood qui­etly and our friends trans­lated the Farsi chants.

more images > here

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Do you usu­ally pay to be a beta tester? Not me. I usu­ally get some­thing free for debug­ging somone’s product.

Well today Ama­zon released the big­ger dog of their reader and will charge you about $500 bucks for a device that looks like a card­board pro­to­type of a tech­nol­ogy prod­uct from the 80’s.

Expec­ta­tions for elec­tronic devices are con­sid­er­ably more sophis­ti­cated than what the Kin­dle offers. Now of course Ama­zon is just warm­ing up the mar­ket for a smart inno­v­a­tive com­pany like Apple or a smart startup to take over much like Apple did with the iPod. I actu­ally think that Ama­zon doesn’t care. Ama­zon is all about the dis­tri­b­u­tion chain. They want to sell you the con­tent not the device. They just cre­ated the device to cre­ate more inter­est in read­ing. Cer­tainly the pub­lish­ing indus­try doesn’t under­stand how to do that. But will this actu­ally rein­vig­o­rate the read­ing mar­ket? That remains to be seen.

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Haven’t you always wanted to walk on water?

I have admired Maya Lin’s work for two decades. The thought­ful­ness, the scale, and the amaz­ing bal­ance of the dis­ci­pline of archi­tec­ture and the emo­tional vocab­u­lary are con­trolled yet cre­ate both vis­ceral reac­tions that then trig­ger intel­lec­tual responses.
Her inves­ti­ga­tion of water/waves and their dis­tinct states have cre­ated inter­nal con­ver­sa­tions that have man­i­fest them­selves in my hiero­glyph­ics that have come after Egypt­ian Waters.

I dream of walk­ing on the waters, float­ing in the space between the waves.

Now I will make the equiv­a­lent of a pil­grim­age to the Wave Field at Storm King. I will walk on the waves, I will lie and stand between the waves unable to see beyond the lead wave or the fol­low­ing one. I will pho­to­graph my point of view. I will cap­ture video of the chang­ing light. I will stand on the waters sus­pended in time.

THE ARTIST : Maya Lin
THE SPACE : Storm King
EXHIBITION : Wave Field

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On Thurs­day April 2nd I saw this tweet:

The Gro­cery List Col­lec­tion http://www.grocerylists.org/lists/100/

Instantly I thought of the gro­cery list I had used for years. It was in a sketch­book that I had ulti­mately filled. (I don’t fill them all.) I then tore the list gen­tly from the book and used a paper­clip to keep it attached to the next book. I did this repeated times. I try to recall which book it may be clipped to now. I haven’t seen it since the last move; that was when I moved my art stu­dio out of the liv­ing space.

I was hop­ing to scan or pho­to­graph the list for this post. I thought I could put my hands on it eas­ily. Then I hesitated.

I don’t know where the list is.

I’m try­ing to recall what it looked like now, com­par­ing it to the images I saw at the link above. But my list wasn’t like these lists at all. My print­ing is dis­ci­plined from many years of design and draft­ing. I write straight and even on unlined paper. I use a foun­tain pen which leaves the tell­tale pud­dles based upon the speed in which one writes the stroke. It was on a piece of paper which barely showed the wear.

The orga­ni­za­tion of the items had been typ­i­cal for me. Dairy together, fruits, veg­eta­bles, fish, yummy spices, cheeses, bread. It was ordered by my ser­pen­tine route through the isles. Items grouped geo­graph­i­cally, cre­at­ing their own spe­cial car­to­graphic experience.

I can see the map in my minds eye now. The small dots next to the objects the cor­re­sponded to the items in the cart.

tweet from
web: http://www.projectb.com
twit­ter: http://www.twitter.com/barbaralevine

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6“X2 14″ diam.
Ink, graphite, white char­coal on hand­made paper, glass milk bot­tle with attached rub­ber cork, sand.


Miss Ninety was sup­posed to be one of the 96 Amer­i­can Kids, but she was a troublemaker…so I bot­tled her.
– Len Cowgill

I’ve always been called a trou­ble­maker so I had to give Miss Ninety a place at my blog. Len’s work is always cre­ates a very emo­tional expe­ri­ence for me. Each draw­ing in his series stand alone and add to the whole in an unex­pected way. Just imag­in­ing if some­one had bot­tled me.

You can see more bot­tle draw­ings here.

You can buy his work here : tama­rack art gallery

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Studioscopic_ Kukuli Velarde-1.png

The artist and one of her paintings.

Studioscopic_ Kukuli Velarde 3-1.png

The artist as one of her pieces

I actu­ally posted this video at our heavy­bub­ble blog because it struck me so. Lis­ten­ing to Kukuli Velarde talk about her­self and her path as a painter, then ceramic artist, and now painter again was quite a jour­ney. Lots of artists have this kind of jour­ney. Often as artists we expe­ri­ence these things and never talk to any­one about our jour­ney in this way. Being behind the lens of a video cam­era with an inter­viewer who makes one com­fort­able enough to talk about the work in an open way.

Kukuli Velarde makes amaz­ing work and she works through her feel­ings over time mak­ing pieces that express each and every sec­ond of inter­nal process. In that process she con­fronts the issues that ener­gize her work and bring us face to face with her inter­nal questioning.

The work is pow­er­ful and frank. It uses many vocab­u­lar­ies to cap­ture our atten­tion. With all the inten­sity there is still a beauty and joy that allows you to embrace the art and want to keep it near you.

Use the link below to watch the video. I’ve also included her website.

links:
kukuli velarde: the path of a painter [video]

kukuli velarde [web]

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