— unpredictable thoughts

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Tag "american"

 

Aretha wasn’t the only Franklin that could do a tune.

 

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Losses

Most losses add some­thing —
a new socket or silence,
a gap in a per­sonal
arch­i­pel­ago of islands.

We have that dif­fer­ence
to visit—itself
a going-on of sorts.

But there are other losses
so far beyond report
that they leave holes
in holes only

like the ends of the
long and lonely lives
of cast­aways
thoughts dead but not.

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I bring myself back from the streets that open like long
Silent laughs, and the oth­ers
Spilled into in the way of rivers break­ing up, lit­tered with words,
Crossed by cats and that sort of thing,
From the know­ing wires and the aimed win­dows,
Well this is nice, on the third floor, in back of the bill­board
Which says Now Improved and I know what they mean,
I thread my way in and I sew myself in like money.

Well this is nice with my shoes moored by the bed
And the lights around the bill­board tick­ing on and off like a bea­con,
I have brought myself back like many another crusty
Unbar­bered ves­sel launched with a bot­tle,
From the bare regions of pure hope where
For a great part of the year it scarcely sets at all,
And from the night skies reg­u­larly filled with old movies of my fin­gers,
Weight­less as shad­ows, grop­ing in the sluices,
And from the visions of veins like arter­ies, and
From the months of ply­ing
Between can and can, vacant as a pint in the morn­ing,
While my sex grew into the only tree, a joy­less ever­green,
And the winds played hell with it at night, com­ing as they did
Over at least one thou­sand miles of empti­ness,
Thump­ing as though there were noth­ing but doors, insist­ing
“Come out,” and of course I would have frozen.

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Gil Scott-Heron, Rod Youngs-Drums, Kim Jordan-Keys, Don Mc Griggs-Bass, Ed Brady-Guitar, Larry Mc Donald-Perc

So thrilled he’s record­ing music again. Rock your soul.

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One of my favorite artists. One of the few live videos I’ve been able to find.

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a trou­ble

archaically fet­tered
to produce

E Pluribus Unum an
island

in the sea a Capi­tol
surmounted

by Armed Lib­erty—
painting

sculp­ture strad­dled by
a dome

eight mil­lion pounds
in weight

iron plates con­structed
to expand

and con­tract with
variations

of tem­per­a­ture
the folding

and unfold­ing of a lily.
And Congress

autho­rized and the
Commission

was entrusted was
entrusted!

a sculp­tured group
Mars

in Roman mail plac­ing
a wreath

of lau­rel on the brow
of Washington

Com­merce Min­erva
Thomas

Jef­fer­son John Han­cock
at

the table Mrs. Motte
presenting

Indian burn­ing arrows
to Generals

Mar­ion and Lee to fire
her mansion

and dis­lodge the British—
this scaleless

jum­ble is superb

and accu­rate in its
expression

of the thing they
would destroy—

Bap­tism of Poca–
hontas

with a lit­tle card
hanging

under it to tell
the persons

in the picture.

It climbs

it runs, it is Geo.
Shoup

of Idaho it wears
a beard

it fetches naked
Indian

women from a river
Trumbull

Var­num Hen­der­son
Frances

Willard’s corset is
absurd—

Banks White Colum­bus
stretched

in bed men felling trees

The Hon. Michael
C. Kerr

one­time Speaker of
the House

of Rep­re­sen­ta­tives
Perry

in a row­boat on Lake
Erie

chang­ing ships the
dead

among the wreck­age
sickly green

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Snow:
years of anger fol­low­ing
hours that float idly down —
the bliz­zard
drifts its weight
deeper and deeper for three days
or sixty years, eh? Then
the sun! a clut­ter of
yel­low and blue flakes —
Hairy look­ing trees stand out
in long alleys
over a wild soli­tude.
The man turns and there —
his soli­tary track stretched out
upon the world.

 

 

 

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You that sang to me once sing to me now
let me hear your long lifted note
sur­vive with me
the star is fad­ing
I can think far­ther than that but I for­get
do you hear me

do you still hear me
does your air
remem­ber you
o breath of morn­ing
night song morn­ing song
I have with me
all that I do not know
I have lost none of it

but I know bet­ter now
than to ask you
where you learned that music
where any of it came from
once there were lions in China

I will lis­ten until the flute stops
and the light is old again

- W.S. MERWIN

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Inau­gural Poem

A Rock, A River, A Tree
Hosts to species long since departed,
Marked the mastodon.

The dinosaur, who left dry tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their has­ten­ing doom
Is lost in the gloom of dust and ages.

But today, the Rock cries out to us, clearly, force­fully,
Come, you may stand upon my
Back and face your dis­tant des­tiny,
But seek no haven in my shadow.

I will give you no more hid­ing place down here.

You, cre­ated only a lit­tle lower than
The angels, have crouched too long in
The bruis­ing dark­ness,
Have lain too long
Face down in ignorance.

Your mouths spilling words
Armed for slaughter.

The Rock cries out today, you may stand on me,
But do not hide your face.

Across the wall of the world,
A River sings a beau­ti­ful song,
Come rest here by my side.

Each of you a bor­dered coun­try,
Del­i­cate and strangely made proud,
Yet thrust­ing per­pet­u­ally under siege.

Your armed strug­gles for profit
Have left col­lars of waste upon
My shore, cur­rents of debris upon my breast.

Yet, today I call you to my river­side,
If you will study war no more. Come,

Clad in peace and I will sing the songs
The Cre­ator gave to me when I and the
Tree and the stone were one.

Before cyn­i­cism was a bloody sear across your
Brow and when you yet knew you still
Knew nothing.

The River sings and sings on.

There is a true yearn­ing to respond to
The singing River and the wise Rock.

So say the Asian, the His­panic, the Jew
The African and Native Amer­i­can, the Sioux,
The Catholic, the Mus­lim, the French, the Greek
The Irish, the Rabbi, the Priest, the Sheikh,
The Gay, the Straight, the Preacher,
The priv­i­leged, the home­less, the Teacher.
They hear. They all hear
The speak­ing of the Tree.

Today, the first and last of every Tree
Speaks to humankind. Come to me, here beside the River.

Plant your­self beside me, here beside the River.

Each of you, descen­dant of some passed
On trav­eller, has been paid for.

You, who gave me my first name, you
Pawnee, Apache and Seneca, you
Chero­kee Nation, who rested with me, then
Forced on bloody feet, left me to the employ­ment of
Other seekers–desperate for gain,
Starv­ing for gold.

You, the Turk, the Swede, the Ger­man, the Scot …
You the Ashanti, the Yoruba, the Kru, bought
Sold, stolen, arriv­ing on a night­mare
Pray­ing for a dream.

Here, root your­selves beside me.

I am the Tree planted by the River,
Which will not be moved.

I, the Rock, I the River, I the Tree
I am yours–your Pas­sages have been paid.

Lift up your faces, you have a pierc­ing need
For this bright morn­ing dawn­ing for you.

His­tory, despite its wrench­ing pain,
Can­not be unlived, and if faced
With courage, need not be lived again.

Lift up your eyes upon
The day break­ing for you.

Give birth again
To the dream.

Women, chil­dren, men,
Take it into the palms of your hands.

Mold it into the shape of your most
Pri­vate need. Sculpt it into
The image of your most pub­lic self.
Lift up your hearts
Each new hour holds new chances
For new beginnings.

Do not be wed­ded for­ever
To fear, yoked eter­nally
To brutishness.

The hori­zon leans for­ward,
Offer­ing you space to place new steps of change.
Here, on the pulse of this fine day
You may have the courage
To look up and out upon me, the
Rock, the River, the Tree, your country.

No less to Midas than the mendicant.

No less to you now than the mastodon then.

Here on the pulse of this new day
You may have the grace to look up and out
And into your sister’s eyes, into
Your brother’s face, your coun­try
And say sim­ply
Very sim­ply
With hope
Good morning.

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First among places
sus­cep­ti­ble to tres­pass
are mirage oases

whose grad­u­ated pools
and shaded grasses, palms
and speck­led fishes give
before the light­est pres­sure
and are wrecked.

For they live
only in the king­dom
of sus­pended wishes,
thrive only at our plea­sure
checked.

Kay Ryan, 1997

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