Aretha wasn’t the only Franklin that could do a tune.
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Losses
Most losses add something —
a new socket or silence,
a gap in a personal
archipelago of islands.
We have that difference
to visit—itself
a going-on of sorts.
But there are other losses
so far beyond report
that they leave holes
in holes only
like the ends of the
long and lonely lives
of castaways
thoughts dead but not.
I bring myself back from the streets that open like long
Silent laughs, and the others
Spilled into in the way of rivers breaking up, littered with words,
Crossed by cats and that sort of thing,
From the knowing wires and the aimed windows,
Well this is nice, on the third floor, in back of the billboard
Which says Now Improved and I know what they mean,
I thread my way in and I sew myself in like money.
Well this is nice with my shoes moored by the bed
And the lights around the billboard ticking on and off like a beacon,
I have brought myself back like many another crusty
Unbarbered vessel launched with a bottle,
From the bare regions of pure hope where
For a great part of the year it scarcely sets at all,
And from the night skies regularly filled with old movies of my fingers,
Weightless as shadows, groping in the sluices,
And from the visions of veins like arteries, and
From the months of plying
Between can and can, vacant as a pint in the morning,
While my sex grew into the only tree, a joyless evergreen,
And the winds played hell with it at night, coming as they did
Over at least one thousand miles of emptiness,
Thumping as though there were nothing but doors, insisting
“Come out,” and of course I would have frozen.
Gil Scott-Heron, Rod Youngs-Drums, Kim Jordan-Keys, Don Mc Griggs-Bass, Ed Brady-Guitar, Larry Mc Donald-Perc
So thrilled he’s recording music again. Rock your soul.
Read Morea trouble
archaically fettered
to produce
E Pluribus Unum an
island
in the sea a Capitol
surmounted
by Armed Liberty—
painting
sculpture straddled by
a dome
eight million pounds
in weight
iron plates constructed
to expand
and contract with
variations
of temperature
the folding
and unfolding of a lily.
And Congress
authorized and the
Commission
was entrusted was
entrusted!
a sculptured group
Mars
in Roman mail placing
a wreath
of laurel on the brow
of Washington
Commerce Minerva
Thomas
Jefferson John Hancock
at
the table Mrs. Motte
presenting
Indian burning arrows
to Generals
Marion and Lee to fire
her mansion
and dislodge the British—
this scaleless
jumble is superb
and accurate in its
expression
of the thing they
would destroy—
Baptism of Poca–
hontas
with a little card
hanging
under it to tell
the persons
in the picture.
It climbs
it runs, it is Geo.
Shoup
of Idaho it wears
a beard
it fetches naked
Indian
women from a river
Trumbull
Varnum Henderson
Frances
Willard’s corset is
absurd—
Banks White Columbus
stretched
in bed men felling trees
The Hon. Michael
C. Kerr
onetime Speaker of
the House
of Representatives
Perry
in a rowboat on Lake
Erie
changing ships the
dead
among the wreckage
sickly green
Snow:
years of anger following
hours that float idly down —
the blizzard
drifts its weight
deeper and deeper for three days
or sixty years, eh? Then
the sun! a clutter of
yellow and blue flakes —
Hairy looking trees stand out
in long alleys
over a wild solitude.
The man turns and there —
his solitary track stretched out
upon the world.
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You that sang to me once sing to me now
let me hear your long lifted note
survive with me
the star is fading
I can think farther than that but I forget
do you hear me
do you still hear me
does your air
remember you
o breath of morning
night song morning song
I have with me
all that I do not know
I have lost none of it
but I know better now
than to ask you
where you learned that music
where any of it came from
once there were lions in China
I will listen until the flute stops
and the light is old again
- W.S. MERWIN
Read MoreA Rock, A River, A Tree
Hosts to species long since departed,
Marked the mastodon.
The dinosaur, who left dry tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their hastening doom
Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully,
Come, you may stand upon my
Back and face your distant destiny,
But seek no haven in my shadow.
I will give you no more hiding place down here.
You, created only a little lower than
The angels, have crouched too long in
The bruising darkness,
Have lain too long
Face down in ignorance.
Your mouths spilling words
Armed for slaughter.
The Rock cries out today, you may stand on me,
But do not hide your face.
Across the wall of the world,
A River sings a beautiful song,
Come rest here by my side.
Each of you a bordered country,
Delicate and strangely made proud,
Yet thrusting perpetually under siege.
Your armed struggles for profit
Have left collars of waste upon
My shore, currents of debris upon my breast.
Yet, today I call you to my riverside,
If you will study war no more. Come,
Clad in peace and I will sing the songs
The Creator gave to me when I and the
Tree and the stone were one.
Before cynicism was a bloody sear across your
Brow and when you yet knew you still
Knew nothing.
The River sings and sings on.
There is a true yearning to respond to
The singing River and the wise Rock.
So say the Asian, the Hispanic, the Jew
The African and Native American, the Sioux,
The Catholic, the Muslim, the French, the Greek
The Irish, the Rabbi, the Priest, the Sheikh,
The Gay, the Straight, the Preacher,
The privileged, the homeless, the Teacher.
They hear. They all hear
The speaking of the Tree.
Today, the first and last of every Tree
Speaks to humankind. Come to me, here beside the River.
Plant yourself beside me, here beside the River.
Each of you, descendant of some passed
On traveller, has been paid for.
You, who gave me my first name, you
Pawnee, Apache and Seneca, you
Cherokee Nation, who rested with me, then
Forced on bloody feet, left me to the employment of
Other seekers–desperate for gain,
Starving for gold.
You, the Turk, the Swede, the German, the Scot …
You the Ashanti, the Yoruba, the Kru, bought
Sold, stolen, arriving on a nightmare
Praying for a dream.
Here, root yourselves beside me.
I am the Tree planted by the River,
Which will not be moved.
I, the Rock, I the River, I the Tree
I am yours–your Passages have been paid.
Lift up your faces, you have a piercing need
For this bright morning dawning for you.
History, despite its wrenching pain,
Cannot be unlived, and if faced
With courage, need not be lived again.
Lift up your eyes upon
The day breaking for you.
Give birth again
To the dream.
Women, children, men,
Take it into the palms of your hands.
Mold it into the shape of your most
Private need. Sculpt it into
The image of your most public self.
Lift up your hearts
Each new hour holds new chances
For new beginnings.
Do not be wedded forever
To fear, yoked eternally
To brutishness.
The horizon leans forward,
Offering you space to place new steps of change.
Here, on the pulse of this fine day
You may have the courage
To look up and out upon me, the
Rock, the River, the Tree, your country.
No less to Midas than the mendicant.
No less to you now than the mastodon then.
Here on the pulse of this new day
You may have the grace to look up and out
And into your sister’s eyes, into
Your brother’s face, your country
And say simply
Very simply
With hope
Good morning.
First among places
susceptible to trespass
are mirage oases
whose graduated pools
and shaded grasses, palms
and speckled fishes give
before the lightest pressure
and are wrecked.
For they live
only in the kingdom
of suspended wishes,
thrive only at our pleasure
checked.
—Kay Ryan, 1997
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