— unpredictable thoughts

Archive
Tag "art"

Jean-Michel Basquiat was born today in 1960.

Read More

John Maeda lives at the inter­sec­tion of tech­nol­ogy and art, a place that can get very com­pli­cated. I under­stand that place very well. I’m post­ing this talk because there is so much of it that I relate with.

This talk cre­ates more ques­tions than answers. It is about observ­ing, ques­tion­ing, and exper­i­ment­ing. Cre­at­ing some­thing new that adds to the uni­verse. Some­thing that brings joy. Orga­niz­ing found objects and every­day things to make some­thing totally new.

John Maeda uses imag­i­na­tion to inspire. Walk one day in John Maeda’s shoes. Think, what would John Maeda do with this? Open your mind to new and cre­ative ways to move for­ward in what­ever you do.

BTW, Mr Maeda is no longer at MIT he is now Pres­i­dent of Rhode Island School of Design. Makes me think about how much fun it could be to be back in school. You can find out more about what he is doing there. http://www.risd.edu/president/

Read More

i wanted a per­fect end­ing. now i’ve learned, the hard way, that some poems don’t rhyme, and some sto­ries don’t have a clear begin­ning, mid­dle and end. life is about not know­ing, hav­ing to change, tak­ing the moment and mak­ing the best of it, with­out know­ing what’s going to hap­pen next. deli­cious ambiguity.

— gilda radner

Read More

Grav­ité (Grav­ity) from Renaud Hal­lée on Vimeo.

Grav­ity makes rhythm. Makes me want to go out and draw.

Read More

John Maeda lives at the inter­sec­tion of tech­nol­ogy and art, a place that can get very com­pli­cated. I under­stand that place very well. I’m post­ing this talk because there is so much of it that I relate with.

This talk cre­ates more ques­tions than answers. It is about observ­ing, ques­tion­ing, and exper­i­ment­ing. Cre­at­ing some­thing new that adds to the uni­verse. Some­thing that brings joy. Orga­niz­ing found objects and every­day things to make some­thing totally new.

John Maeda uses imag­i­na­tion to inspire. Walk one day in John Maeda’s shoes. Think, what would John Maeda do with this? Open your mind to new and cre­ative ways to move for­ward in what­ever you do.

BTW, Mr Maeda is no longer at MIT he is now Pres­i­dent of Rhode Island School of Design. Makes me think about how much fun it could be to be back in school. You can find out more about what he is doing there. http://www.risd.edu/president/

Read More

Expe­ri­ence Mobile Mobile from James Théo­phane Jnr on Vimeo.

Yes the phones were pro­grammed with timed ring­tones. Nice video. Nice installation.

Read More

hirshornbubble

We’ve spent plenty of time on the national mall usu­ally in a gath­er­ing to protest an injus­tice and lend a voice for a more per­fect union. Imag­ine our sur­prise at this new pro­posal for struc­ture that would bring cre­ative cul­ture to the cen­ter of civic energy.
What an inter­est­ing approach to a design a dual agenda: raise the museum’s national pro­file and to put Wash­ing­ton in closer touch with cre­ative life around it. Within weeks he was pro­mot­ing his vision to leg­is­la­tors, museum direc­tors and for­eign cul­tural attachés.

The direc­tor of the Hir­shorn Museum and Sculp­ture Gar­den, Richard Koshalek pro­poses erect­ing an inflat­able meet­ing hall That would pop out of the inter­nal court­yard of the museum.
This is an excit­ing idea from any design point of view includ­ing archi­tec­ture and place­mak­ing, The other excit­ing aspect is a tem­po­rary struc­ture reduces bud­get yet expands the impact the museum can make.
Con­grat­u­la­tions to Mr. Koshalek and the Museum for such bold think­ing.

Designed by the New York firm Diller Scofidio & Ren­fro, the translu­cent fab­ric struc­ture, which would be installed twice a year, for May and Octo­ber, and be packed away in stor­age the rest of the time, would trans­form one of the most somber build­ings on the mall into a lumi­nous pop landmark.

from the NY Times

Read More

In their excess, their blowsy dream­ing
and King Solomon-like tem­pers, the clouds
pos­sess the grandeur of eighteenth-century oils,

when a painter earned his pro­fes­sion
as an anatomist. Those artists of verdi­gris
and gam­boge, too gorged on joy, perhaps,

treated that blank pas­ture of the “heav­ens”
like some­thing that had lived.
Their crawly undo­ings remind us

of the mean curiosi­ties of sheep, the sea’s
half-remembered boil, or a few twisted bolls
of cotton—the morn­ing phosphorescent

or sun­set a dull, worn-out gilt.
The nights there were scum­bled with light.
How could we ever have taken them

for the absti­nence of art?

by William Logan

Read More

kd lang sings Bare­foot from Salmonberries.

This is from a film writ­ten and directed by Percy Adlon If you haven’t seen the film rent it. Well, that is if art films are an inter­est. This isn’t a hol­ly­wood thing.

Salmonber­ries has won sev­eral awards:

Read More

Twitter / stellth: The woman with the blond h ...

This is a cap­ture from my first tweet in Fol­low­ing Piece 2.0, a global col­lab­o­ra­tive art project as part of @Platea. I’ve writ­ten a recap of my expe­ri­ence par­tic­i­pat­ing in the project. and you can find it at : the @Platea blog.

I have been work­ing on an online book of the project and expect to add more thoughts here and at my ART­log. I hope you’ll check back on the project and leave your thoughts about the work. It was an excit­ing experience.

Are you fol­low­ing me?

About the project from @Plateau:

Fol­low­ing Piece 1.0
Forty years ago, in Octo­ber 1969, artist Vito Acconci per­formed Fol­low­ing Piece. A study in the pub­lic spaces we occupy and assump­tions around pri­vacy, Acconci fol­lowed ran­dom peo­ple in Man­hat­tan dur­ing the month and reported on their activ­i­ties until they entered a pri­vate area such as an apart­ment or car.

Fol­low­ing Piece 2.0
And so, with that in mind, I thought it might be fun to do a cover of Fol­low­ing Piece, but to look at it specif­i­cally in the con­tem­po­rary con­text of Twit­ter, a world where public/private bound­aries are shift­ing and erod­ing, as once-private activ­i­ties are broad­cast into online pub­lic space. In the world of Twit­ter, the idea of fol­low­ing has taken on a new mean­ing: once an uncom­fort­able thought, it’s now reg­u­larly seen as a good thing to have one’s pri­vate actions fol­lowed by many strangers.

Read More

Bad Behavior has blocked 120 access attempts in the last 7 days.