— unpredictable thoughts

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Tag "poem"

What Work Is

We stand in the rain in a long line
wait­ing at Ford High­land Park. For work
You know what work is — if you’re
old enough to read this you know what
work is, although you may not do it.
For­get you. This is about wait­ing,
shift­ing from one foot to another.
Feel­ing the light rain falling like mist
into your hair, blur­ring your vision
until you think you see your own brother
ahead of you, maybe ten places.
You rub your glasses with your fin­gers,
and of course it’s some­one else’s brother,
nar­rower across the shoul­ders than
yours but with the same sad slouch, the grin
that does not hide the stub­born­ness,
the sad refusal to give in to
rain, to the hours wasted wait­ing,
to the knowl­edge that some­where ahead
a man is wait­ing who will say, “No,
we’re not hir­ing today,” for any
rea­son he wants. You love your brother,
now sud­denly you can hardly stand
the love flood­ing you for your brother,
who’s not beside you or behind or
ahead because he’s home try­ing to
sleep off a mis­er­able night shift
at Cadil­lac so he can get up
before noon to study his Ger­man.
Works eight hours a night so he can sing
Wag­ner, the opera you hate most,
the worst music ever invented.
How long has it been since you told him
you loved him, held his wide shoul­ders,
opened your eyes wide and said those words,
and maybe kissed his cheek? You’ve never
done some­thing so sim­ple, so obvi­ous,
not because you’re too young or too dumb,
not because you’re jeal­ous or even mean
or inca­pable of cry­ing in
the pres­ence of another man, no,
just because you don’t know what work is.

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Losses

Most losses add some­thing —
a new socket or silence,
a gap in a per­sonal
arch­i­pel­ago of islands.

We have that dif­fer­ence
to visit—itself
a going-on of sorts.

But there are other losses
so far beyond report
that they leave holes
in holes only

like the ends of the
long and lonely lives
of cast­aways
thoughts dead but not.

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We enter
the green river,
heron har­bor,
mud-basin lined
with snagheaps, where tur­tles
sun themselves–we push
through the falling
silky weight
striped warm and cold
bound­ing down
through the black flanks
of wet rocks–we wade
under hem­lock
and white pine–climb
stone steps into
the time­less cas­tles
of emer­ald eddies,
swirls, chan­nels
cold as ice tum­bling
out of a white flow–
sheer sheets
fly­ing off rocks,
friv­o­lous and lus­trous,
skirt­ing the secret pools–
cra­dles
full of the yel­low hair
of last year’s leaves
where griz­zled fish
hang halfway down,
like tar­nished swords,
while around them
fin­ger­lings sparkle
and descend,
nails of light
in the loose
rac­ing waters.

© Mary Oliver.

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If the moon smiled, she would resem­ble you.
You leave the same impres­sion
Of some­thing beau­ti­ful, but anni­hi­lat­ing.
Both of you are great light bor­row­ers.
Her O-mouth grieves at the world; yours is unaffected,

And your first gift is mak­ing stone out of every­thing.
I wake to a mau­soleum; you are here,
Tick­ing your fin­gers on the mar­ble table, look­ing for cig­a­rettes,
Spite­ful as a woman, but not so ner­vous,
And dying to say some­thing unanswerable.

The moon, too, abuses her sub­jects,
But in the day­time she is ridicu­lous.
Your dis­sat­is­fac­tions, on the other hand,
Arrive through the mail­slot with lov­ing reg­u­lar­ity,
White and blank, expan­sive as car­bon monoxide.

No day is safe from news of you,
Walk­ing about in Africa maybe, but think­ing of me.

— Sylvia Plath

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I bring myself back from the streets that open like long
Silent laughs, and the oth­ers
Spilled into in the way of rivers break­ing up, lit­tered with words,
Crossed by cats and that sort of thing,
From the know­ing wires and the aimed win­dows,
Well this is nice, on the third floor, in back of the bill­board
Which says Now Improved and I know what they mean,
I thread my way in and I sew myself in like money.

Well this is nice with my shoes moored by the bed
And the lights around the bill­board tick­ing on and off like a bea­con,
I have brought myself back like many another crusty
Unbar­bered ves­sel launched with a bot­tle,
From the bare regions of pure hope where
For a great part of the year it scarcely sets at all,
And from the night skies reg­u­larly filled with old movies of my fin­gers,
Weight­less as shad­ows, grop­ing in the sluices,
And from the visions of veins like arter­ies, and
From the months of ply­ing
Between can and can, vacant as a pint in the morn­ing,
While my sex grew into the only tree, a joy­less ever­green,
And the winds played hell with it at night, com­ing as they did
Over at least one thou­sand miles of empti­ness,
Thump­ing as though there were noth­ing but doors, insist­ing
“Come out,” and of course I would have frozen.

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Now I can’t stop think­ing. Is this my call­ing?

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We will call you “Agua” like the rivers and cool jugs.
We will per­suade the clouds to nes­tle around your neck
so you may sleep late.
We would be happy if you slept for­ever.
We will tend the slopes we plant, singing the songs
our grand­fa­thers taught us before we inher­ited their fear.
We will try not to argue among our­selves.
When the widow demands extra flour, we will pro­vide it,
remem­ber­ing the smell of incense on the day of our Lord.

Please think of us as we are, tiny, with skins that burn eas­ily.
Please notice how we have watered the shrubs around our houses
and trans­planted the pep­pers into neat tin cans.
For­give any anger we feel toward the earth,
when the rains do not come, or they come too much,
and swal­low our corn.
It is not easy to be this small and live in your shadow.

Often while we are eat­ing our evening meal
you cross our rooms like a thief,
touch­ing first the radio and then the loom.
Later our dreams begin catch­ing fire around the edges,
they burn like paper, we wake with our hands full of ash.

How can we live like this?
We need to wake and find our shelves intact,
our chil­dren slum­ber­ing in their quilts.
We need dreams the shape of lakes,
with morn­ings in them thick as fish.
Shade us while we cast and hook—
but noth­ing else, noth­ing else.

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Mak­ing a Fist

For the first time, on the road north of Tampico,
I felt the life slid­ing out of me,
a drum in the desert, harder and harder to hear.
I was seven, I lay in the car
watch­ing palm trees swirl a sick­en­ing pat­tern past the glass.
My stom­ach was a melon split wide inside my skin.

How do you know if you are going to die?“
I begged my mother.
We had been trav­el­ing for days.
With strange con­fi­dence she answered,
“When you can no longer make a fist.”

Years later I smile to think of that jour­ney,
the bor­ders we must cross sep­a­rately,
stamped with our unan­swer­able woes.
I who did not die, who am still liv­ing,
still lying in the back­seat behind all my ques­tions,
clench­ing and open­ing one small hand.

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FYI : The Geral­dine R. Dodge Poetry Fes­ti­val has been can­celed due to eco­nomic pres­sure. Please con­tribute if you can. Just click through to YouTube.

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a trou­ble

archaically fet­tered
to produce

E Pluribus Unum an
island

in the sea a Capi­tol
surmounted

by Armed Lib­erty—
painting

sculp­ture strad­dled by
a dome

eight mil­lion pounds
in weight

iron plates con­structed
to expand

and con­tract with
variations

of tem­per­a­ture
the folding

and unfold­ing of a lily.
And Congress

autho­rized and the
Commission

was entrusted was
entrusted!

a sculp­tured group
Mars

in Roman mail plac­ing
a wreath

of lau­rel on the brow
of Washington

Com­merce Min­erva
Thomas

Jef­fer­son John Han­cock
at

the table Mrs. Motte
presenting

Indian burn­ing arrows
to Generals

Mar­ion and Lee to fire
her mansion

and dis­lodge the British—
this scaleless

jum­ble is superb

and accu­rate in its
expression

of the thing they
would destroy—

Bap­tism of Poca–
hontas

with a lit­tle card
hanging

under it to tell
the persons

in the picture.

It climbs

it runs, it is Geo.
Shoup

of Idaho it wears
a beard

it fetches naked
Indian

women from a river
Trumbull

Var­num Hen­der­son
Frances

Willard’s corset is
absurd—

Banks White Colum­bus
stretched

in bed men felling trees

The Hon. Michael
C. Kerr

one­time Speaker of
the House

of Rep­re­sen­ta­tives
Perry

in a row­boat on Lake
Erie

chang­ing ships the
dead

among the wreck­age
sickly green

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