— unpredictable thoughts

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Tag "poet laurete"

What Work Is

We stand in the rain in a long line
wait­ing at Ford High­land Park. For work
You know what work is — if you’re
old enough to read this you know what
work is, although you may not do it.
For­get you. This is about wait­ing,
shift­ing from one foot to another.
Feel­ing the light rain falling like mist
into your hair, blur­ring your vision
until you think you see your own brother
ahead of you, maybe ten places.
You rub your glasses with your fin­gers,
and of course it’s some­one else’s brother,
nar­rower across the shoul­ders than
yours but with the same sad slouch, the grin
that does not hide the stub­born­ness,
the sad refusal to give in to
rain, to the hours wasted wait­ing,
to the knowl­edge that some­where ahead
a man is wait­ing who will say, “No,
we’re not hir­ing today,” for any
rea­son he wants. You love your brother,
now sud­denly you can hardly stand
the love flood­ing you for your brother,
who’s not beside you or behind or
ahead because he’s home try­ing to
sleep off a mis­er­able night shift
at Cadil­lac so he can get up
before noon to study his Ger­man.
Works eight hours a night so he can sing
Wag­ner, the opera you hate most,
the worst music ever invented.
How long has it been since you told him
you loved him, held his wide shoul­ders,
opened your eyes wide and said those words,
and maybe kissed his cheek? You’ve never
done some­thing so sim­ple, so obvi­ous,
not because you’re too young or too dumb,
not because you’re jeal­ous or even mean
or inca­pable of cry­ing in
the pres­ence of another man, no,
just because you don’t know what work is.

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Who, who had only seen wings,
could extrap­o­late the
skinny sticks of things
birds use for land,
the back­ward way they bend,
the silly way they stand?
And who, only study­ing
bird­tracks in the sand,
could think those lit­tle forks
had decamped on the wind?
So many paired things seem odd.
Who ever would have dreamed
the broad winged raven of despair
would quit the air and go
bandy­legged upon the ground,
a com­mon crow?

Kay Ryan, 1994

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First among places
sus­cep­ti­ble to tres­pass
are mirage oases

whose grad­u­ated pools
and shaded grasses, palms
and speck­led fishes give
before the light­est pres­sure
and are wrecked.

For they live
only in the king­dom
of sus­pended wishes,
thrive only at our plea­sure
checked.

Kay Ryan, 1997

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