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Tag "sculpture"

pink trees

I was work­ing on an ad for the segd con­fer­ence + expo which will be in Mon­tréal in 2011. It made me think of this won­der­ful pub­lic art. On our visit there a few years back we dis­cov­ered the lip­stick for­est. Both Mar­garet and I wan­dered through the trees and played a bit of hide and seek. It is brilliant!

more about the lip­stick for­est >

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Haven’t you always wanted to walk on water?

I have admired Maya Lin’s work for two decades. The thought­ful­ness, the scale, and the amaz­ing bal­ance of the dis­ci­pline of archi­tec­ture and the emo­tional vocab­u­lary are con­trolled yet cre­ate both vis­ceral reac­tions that then trig­ger intel­lec­tual responses.
Her inves­ti­ga­tion of water/waves and their dis­tinct states have cre­ated inter­nal con­ver­sa­tions that have man­i­fest them­selves in my hiero­glyph­ics that have come after Egypt­ian Waters.

I dream of walk­ing on the waters, float­ing in the space between the waves.

Now I will make the equiv­a­lent of a pil­grim­age to the Wave Field at Storm King. I will walk on the waves, I will lie and stand between the waves unable to see beyond the lead wave or the fol­low­ing one. I will pho­to­graph my point of view. I will cap­ture video of the chang­ing light. I will stand on the waters sus­pended in time.

THE ARTIST : Maya Lin
THE SPACE : Storm King
EXHIBITION : Wave Field

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New York in the sum­mer is a slug­gish time with the heat and humid­ity dri­ving any­one who lives in the city to shore, moun­tain retreats, or europe. How­ever, for those that can­not escape there is a won­der­ful new pub­lic art project to cool your mind if not your body.

While mean­der­ing through one of the many copies of the Times piled on our cof­fee table at Stel­larvi­sions I came across an arti­cle about the new really BIG pub­lic art project by Ola­fur Elias­son. This project involves lots of water and that is a cool thing. This is a project so com­pelling it will draw many to see it dur­ing their sul­try vacations.

I haven’t seen any of this project in per­son yet but I have been vis­it­ing the many places on the web that will help you find out more about Olafu Elias­son and the Pub­lic Art Fund who made this instal­la­tion hap­pen. You can see this work by train, boat, bicy­cle, or foot and the nycwaterfalls.org web­site will give you the scoop.

This is a huge project in all ways. There are four water­falls they are between 90 and 120 feet tall, water will fall between 7 and 10 pm. The water will be lighted in the evening. The engi­neer­ing is an incred­i­ble feat; pulling water up from the river to let it rain down to its source again. It cost 15 mil­lion bucks and the Pub­lic Art Fund tapped every­one includ­ing the Major to make it happen.

I’m think­ing the Cir­cle Line tour is a good idea. No lug­ging around my cam­era, pic­nic bas­ket and all. Seems like you would have to expe­ri­ence it so many ways and times of day. This could keep us all busy until Octo­ber when the instal­la­tion closes.

With­out even vis­it­ing the work it has made me think of the water that sur­rounds Man­hat­tan in a dif­fer­ent way. It brings the water to life again. No longer just a sur­face upon which boats pass and com­merce takes place. It is a sur­face that can be bro­ken. It reminds us of the nature of water and water in nature. Its not a leap to move into the thoughts of our expe­ri­ences with gen­tle sprays and pow­er­ful cascades.

Thanks to Ola­fur Elias­son for cre­at­ing this inter­nal and exter­nal conversation.

Here’s a look at some of the info avail­able on the web. Even if you can’t make the trip to NYC. You can expe­ri­ence the work in another way.


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