— unpredictable thoughts

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Tag "twitter"

So today I actu­ally vis­ited unpre­dictable thoughts to check on main­tain­ing my plu­g­ins. Lo and behold my twit­ter feed stopped days ago.

Tried to get every­thing up and run­ning again.

Seems I’m miss­ing some sim­ple lit­tle detail. I’ll fix it later. Got places I have to be.

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Dur­ing Octo­ber 26 through Octo­ber 30 I was involved in a twit­ter per­for­mance piece. The project was con­cieved and orga­nized by @Platea. @Platea is a global col­lec­tive of indi­vid­u­als inter­ested in the power of pub­lic art car­ried out in the dig­i­tal megac­ity of social media.

Method­ol­ogy : observe and let the story unfold, improvise.

It all began with my first tweet:
The woman with the blond hair put on her rain­coat, took her umbrella and headed up 18th street. #fp20

This was the begin­ning of a sur­pris­ingly par­tic­i­pa­tory per­for­mance. I’ve writ­ten a recap at @Platea. I’m plan­ning to make a series of draw­ings and a book to expand the story and expe­ri­ence from the performance.

You can read it here.

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Twitter / stellth: The woman with the blond h ...

This is a cap­ture from my first tweet in Fol­low­ing Piece 2.0, a global col­lab­o­ra­tive art project as part of @Platea. I’ve writ­ten a recap of my expe­ri­ence par­tic­i­pat­ing in the project. and you can find it at : the @Platea blog.

I have been work­ing on an online book of the project and expect to add more thoughts here and at my ART­log. I hope you’ll check back on the project and leave your thoughts about the work. It was an excit­ing experience.

Are you fol­low­ing me?

About the project from @Plateau:

Fol­low­ing Piece 1.0
Forty years ago, in Octo­ber 1969, artist Vito Acconci per­formed Fol­low­ing Piece. A study in the pub­lic spaces we occupy and assump­tions around pri­vacy, Acconci fol­lowed ran­dom peo­ple in Man­hat­tan dur­ing the month and reported on their activ­i­ties until they entered a pri­vate area such as an apart­ment or car.

Fol­low­ing Piece 2.0
And so, with that in mind, I thought it might be fun to do a cover of Fol­low­ing Piece, but to look at it specif­i­cally in the con­tem­po­rary con­text of Twit­ter, a world where public/private bound­aries are shift­ing and erod­ing, as once-private activ­i­ties are broad­cast into online pub­lic space. In the world of Twit­ter, the idea of fol­low­ing has taken on a new mean­ing: once an uncom­fort­able thought, it’s now reg­u­larly seen as a good thing to have one’s pri­vate actions fol­lowed by many strangers.

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Had to share this lit­tle piece I found on the net. I know it’s from some­one I fol­low on twit­ter; just can’t remem­ber who. These are the sounds I hear in my head after the birds tweet.

Enjoy.

Twit­ter­Ra­dio from Mark McK­eague on Vimeo.

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Twitter _ Biz Stone_ A recruiter just called me

The Boston Globe and 140 Sec­onds on Twitter

In case you haven’t seen it yet, Twit­ter is a micro-sharing web­site
where you describe in 140 char­ac­ters or less what you’re up to. You can
send and receive mes­sages via SMS (text mes­sages) on your phone,
through Twitter’s web­site and third-party appli­ca­tions such as Twit­terific.
If you want to talk “with” some­one on Twit­ter, you add @theirusername
to the front of the mes­sage and it shows up in the person’s replies
tab. This was a fea­ture that was added sev­eral months after Twit­ter
first launched in 2006 based upon how peo­ple ended up actu­ally using
the ser­vice. That’s been the con­sis­tent story for Twit­ter — it’s
def­i­nitely evolved beyond “I’m mak­ing an omelet for break­fast” to now
include shar­ing info about late break­ing news, mak­ing plans with a group of cohorts, etc.

BTW, Biz Stone is a co-founder of twitter.

This is a great place to exper­i­ment in the social net­work space. It’s sorta like it use to be in the old days. Sorta free wheel­ing, unex­pected, and fun.

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Twitter _ Caroline (Vixy)_ earthquake.png

I’ve been a bit obsessed with tech­nol­ogy and mod­ern cul­ture recently. Maybe immersed in it is more accu­rate. This morn­ing I had my first real paper cup and a string com­mu­ni­ca­tion moment in a tech­no­log­i­cal space. Twit­ter is like a shout down a long hall­way. Today I heard this call from far away. earth­quake. It was like lis­ten­ing in the old CB [cit­i­zen band radio] days and catch­ing some­thing of inter­est in the chat­ter. Find­ing the sig­nal through the noise.

I was watch­ing all the tweets come in. Folks talk­ing about their houses shak­ing, call­ing their par­ents, broth­ers, sis­ters. Check­ing in from all geo­graphic loca­tions. It’s an immer­sion into the col­lec­tive. It is really an absence of one­ness. There is a feel­ing of being just a small part of the universe.

Then when the chat­ter had moved on to other sub­jects and the most recent rise of chat­ter called a halt to every­thing — the sys­tem had been over­whelmed — I had the chance to stop, step back and look at the beauty of this inter­face with those known and unknown. The exten­sion of my social sphere. I could look and see the beauty of the mes­sage as designed and dis­played in the flat­ness of my screen. In my social browser, Flock.

It’s been an extra­or­di­nary day.

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Found out about the Cal­i­for­nia quake watch­ing my twit­terific wid­get.

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